🐇 Create A Dialogue Based On One Of The Following Situations

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This guide to writing dialogue is all about using speech and conversation in storytelling to make your characters’ voices drive plot, tension and drama. Use the links to jump to the dialogue-writing topic you want to learn more about right now. What is dialogue? Key terms Dialogue in writing is conversation between two or more people/animated voices animated voices because it could be speech between a person and an inanimate object they personify, for example, an imaginary or supernatural voice, and so forth. Dialogue can be compared to A tennis or fencing match Speakers may spar, score points, volley arguments or statements and rebuttals to them back and forth A dance One speaker says one line, the other replies, and sometimes one person may lead, at other times, the other leads Pieces in a puzzle coming together What different characters say may build up a gradual picture, for example an idea of the persona of a character who has not yet appeared in a story scene but has been spoken about by others Music sometimes there is harmony working together, other times discord strife, heated conversation or disagreement Key terms in writing dialogue There are several terms in dialogue worth knowing as they crop up often in discussing this element of writing craft Active listening Dialogue is usually responsive When somebody is engaged in active listening’, they aren’t just waiting for their turn to speak. In a true conversation, people hear one another, respond. There may be instances where your dialogue’s subtext or context more on these below calls for characters not to actively listen to one another, of course. There may be cause for them to interrupt, speak over, speak at cross purposes. In these cases, it should be contextually or otherwise clear why characters aren’t properly responding to each other’s speech the dialogue should not read or sound like random non sequiturs, each person’s utterances totally disconnected for no clear reason. Context for dialogue Effective dialogue involves its context. For example, in a frenzied car chase, the squeal of tires may drown out the exchange here or there. Speech and action in this context may reflect rapid decision-making, keeping pace. In the middle of a bank heist, people may be curt, decisive of course, inept thieves could wax lyrical and by talking too much make rookie mistakes. Either way, context will inform how readers make sense of your dialogue, and helps to fill dialogue with tone and mood. Nobody whispers to each other standing next to Niagara falls if they want to be heard. Subtext and dialogue Subtext in dialogue is the underlying meaning, motivation or feeling behind the words characters speak. For example, a boss starts a casual conversation with a new employee but the subtext is that they’re having regrets at hiring the person and trying to come to a decision on whether to terminate in the trial period. The subtext will inform what language they will use and this language would be different to someone ecstatic with their employee’s performance. Subtext adds depth and complexity to dialogue, strata of the said and unsaid. Purpose in dialogue Why is the information you are writing in a scene given as dialogue? Knowing the purpose of dialogue and writing dialogue that feels purpose-driven is useful to ensure that every spoken line counts. In a stage play, dialogue and action are the two drivers of story. In narrative fiction, you also get to use narration to convey meaning. A story where all character information is conveyed through narration may read oddly voiceless, impersonal. Dialogue makes your characters pause, take a breath, like real flesh and blood. Recommended reading Learn more about writing conversations that feel real and draw on cause and effect, call and response Context and subtext in dialogue Creating layered speech How to make dialogue in writing carry your story 7 dialogue rules for writing fantastic conversations To the top ↑ I write plays because writing dialogue is the only respectable way of contradicting yourself. I put a position, rebut it, refute the rebuttal, and rebut the Stoppard GET YOUR FREE GUIDE TO SCENE STRUCTURE Read a guide to writing scenes with purpose that move your story forward. Learn more Why dialogue matters Why do most stories benefit from liberal use of dialogue? 1. Dialogue brings characters and their differences to life In dialogue, you could show a character’s personality in a handful of words. Here, for example, Dostoyevsky creates the sense of a decisive doctor, used to dealing with uncertain, anxious patients in The Double Krestyan Ivanovich … I …’ Hm,’ interrupted the doctor, what I’m telling you is that you need to radically change your whole lifestyle and in a sense you must completely transform your character.’ Krestyan Ivanovich particularly emphasized the word transform’ and paused for a moment with an extremely significant look. Fyodor Dostoyevsky, The Double, trans. Ronald Wilks 1846, 2009, p. 11 There is an immediate sense of power dynamic and differential – the hesitating patient and his decisive doctor. 2. Dialogue splits up exposition into varied parts If all the revelation of your characters and world is in long, wall-of-text narration, it becomes slightly draining to read. Dialogue lifts us out of a this happened, then that’ sense of explanation and throws us into the immediate – sound striking the eardrum. Tweet This 3. Dialogue advances a story Characters may tell each other things that reveal – or shift – goals, motivations, conflicts. But first, I must tell you Mr Bond…’ A villain may say too much, a lover, too little or vice versa. 4. Conversation builds relationships Some of the most beautiful relationships or the most ugly emerge through what people say to one another. Ed’s note As an undergraduate in English Literature, I attended a lecture on Pride and Prejudice where the lecturer illustrated how Lizzie and Darcy’s love is established through the grammar of their language and how it shifts. At one point, Darcy says, You are loved by me’ – a different structure to the standard I love you’ that places the subject first, in a way that reads as full of care. We detect attraction and resentment in the language people use with one another. A conversation about the weather may imply feelings – it comes down to tone, address, mood, agreement and disagreement. 5. Dialogue brings humor, levity and persona to stories Dialogue is often a vehicle for comedy. It’s a crucial part of how to write a funny story. You can narrate that a character has grown wealthy and fallen out of touch with their humble origins. But in Dickens’ Great Expectations, when a character named Trabb’s boy’, the tailor’s son, follows the main character Pip down the street mimicking him and saying, Don’t know ya!’ after Pip is left wealth, it’s a brilliant and funny illustration of how people change and perceive and react to changes in others. Pip seems too good for’ others now that he has wealth, and three words convey Trabb’s boy’s contempt with sly humor. Three words paired with action, the following and mimicking convey complex social dynamics and feelings. Why else do you think dialogue matters? Tell us in the comments. Learn more about writing dialogue that drives stories 10 dialogue tips to hook readers Hook readers into your story with dialogue that catches their attention. Writing movement and action in dialogue 6 tips How can movement and action make your dialogue more immersive? Find out. To the top ↑ Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become Taylor How to format dialogue Speech marks or quotation marks, and where do the line breaks go? Read on for how to format dialogue, common differences between UK and US formatting styles, and more Why do we format dialogue? Clarity, ease and flow Try to write an exchange in dialogue all as block paragraph text and it becomes a nightmare trying to keep track of who says what “You’re late,” she said. “But I didn’t say what time I was coming.” “I don’t care, I’ve been waiting half an hour.” There was an awkward silence for a few seconds. “Well don’t say anything, whatever.” It’s not clear from the above dialogue without line breaks and with no attribution for the last spoken sentence who says what at all times. This is much easier to read because line breaks signal when the speaker changes “You’re late,” she said.“But I didn’t say what time I was coming.”“I don’t care, I’ve been waiting half an hour.” There was an awkward silence for a few seconds. “Well don’t say anything, whatever.” It’s much easier to follow the back and forth and because only two characters are present, the dialogue does not need excess attribution of who says what thanks to the line breaks clarifying this. How to format dialogue in stories 8 tips To make sure it’s clear who’s speaking, when it changes, and when speech begins and ends and narration or description interrupts 1. Use quotation or speech marks to show when speech starts and stops If a character is still speaking, don’t close speech marks prematurely. 2. Start a new line each time the speaker changes Although it is common practice to use an indent for each change of speaker, make sure to use paragraph formatting in your word processor rather than the tab button as this can make indentation too large or wonky using paragraph-wide settings is most precise. Example Example of formatting changes of speaker with line indentation, from Colleen Hoover’s It Ends with Us 2016. 3. Decide how you’ll format dialogue and stick with it Speech marks with double quotations like the example from Colleen Hoover above “ are more commonly used in the US, single quotation marks in books published in the UK. Some contemporary novels don’t use speech marks at all, using an em dash at the start of a line or presenting dialogue another way. Whichever approach you use, consistency is key. Example Using single quotation marks to indicate speech Example of single quotation marks for speech from Zadie Smith’s On Beauty 2005 4. Always use a comma if there is an attributing tag If dialogue is attributed using a tag such as she said’ read more on dialogue tags below, use a comma and not a period/full stop. For example “Writing dialogue is harder than I thought.” She said. ❌“Writing dialogue is harder than I thought,” she said. ✔️ Remember the tag continues the sentence. 5. Split long monologue over multiple paragraphs What if the same character is speaking for a long time in dialogue? To format this, the convention is to open speech marks for each new paragraph without closing speech marks for the previous one, until the speaker is finished talking. Example Dialogue where one speaker continues over paragraphs “First I want to thank you all for being here on our special day. It does take a village but you can put down the pitchforks, take off the creepy masks, and relax a little, guys, it’s not that kind of village … Er eheh… OK I’m firing my joke writers. “But in all seriousness, I couldn’t have chosen a better bride…zilla.” 6. Use the appropriate dialogue punctuation If a speaker pauses, put it in with a comma or something longer such as a semicolon. This is where it helps to read dialogue out loud as you will hear where there is a natural pause that needs punctuating. Colons have an announcing effect. Example “OK, here’s the kicker The guard changes every forty-five minutes.” If there is a question or exclamation, use the appropriate speech mark that includes the occasional special effect, such as an interrobang !?. 7. Write interruption or other changes in dialogue’s flow clearly Ellipses are effective in showing a character trailing off or pausing to think for longer, mid-dialogue. Example “Oh yes, I remember, it was … whatshername.” There are several ways to show interruption. You could Use an em-dash just after cut-off speech. Example “If you’d just let me fini—” Use parentheses to show self-interruption. Example “If you’d just let me finish what I was actually, it’s fine, carry on.” 8. Format narration interrupting dialogue clearly If you want to describe a character’s manner, movement, expression mid-dialogue, remember to use a comma before and resume dialogue without capitalization unless the word is a proper noun Example “I can’t believe you said that,” John said, shaking his head, “and with absolutely zero remorse, too.” Read more on how to ensure your dialogue reads clearly, including how to write ensemble dialogue with multiple characters present Recommended reading Writing dialogue between multiple characters Writing movement and action in dialogue 6 tips To the top ↑ Nothing teaches you as much about dialogue as listening to Blume Effective vs weak dialogue Why does some dialogue scintillate, stir interest, while other dialogue reads like talking heads saying nothing of great impact in an inky void? There are several hallmarks of effective and less effective dialogue What makes dialogue effective An authentic sense of voice. Do characters sound like cipher’s for an author’s pretension this may be true to a specific stylistic choice, though or like real people talking? Purpose-driven dialogue. Each line of dialogue should have identifiable purpose, whether it’s establishing character, advancing the story, building tone and mood, or dialogue serves another purpose. Aptness for type or explicable against type’ voice. Avoid confusing your reader by having a five-year old speak like a fifty-year-old unless there’s a plot-given or other explicable reason for this anomaly. Varied structure. If every sentence is clipped or brusque, or every sentence is long and meandering, the eye and ear may tire. Switch it up if possible. Natural language. Contractions it’s’ for it is’ and other ways people naturally speak colloquial language or slang lend further authenticity to voice. Conflict and tension. As you know, Bob’ info dumps and happy people in happy land don’t make dialogue exciting but tension, disagreement, doubt – sparks of contradiction – do. Movement and gesture. A gesture may change the entire meaning of a spoken phrase a shrug, turn, sitting down, standing up, waving arms, and so on. Subtext and inference. What a character is truly thinking or feeling might not match up perfectly with what they’re saying. People lie, omit, embellish, and so forth. What can weaken dialogue in fiction? Dialogue in stories may feel bland or confusing or too over the top and melodramatic when It’s all one note. If every utterance is an exclamation with an exclamation mark, that gets old fast. Use special effects like salt – just enough to enhance the conversation. Connection is absent. Your reader may be confused if what characters reply to each other seems as though they’re having two different conversations unless there is contextual explanation, both are hard of hearing. The scenery stays outside. If your characters are having an argument in the kitchen, does someone bang a pot, slam a drawer? Bring in surrounds. There is no differentiation. If everyone has the exact same vocabulary, mannerisms, and pattern of speech, characters start to become clone-like, like so many Agent Smiths. Excessive or bizarre tags. Characters shouldn’t honk or trumpet speech too often. Favor tags that you can say or express no, “What!” she flabbergasted’. Leave out tags entirely if context tells your reader who speaks and content of speech gives tone/mood. Excessive dialect or accent. At best excessive dialect or accent may read distracting, at worst, like hurtful stereotype or caricature. Adverbs clutter speech. Instead of overusing she says softly’, leave space for the silence to come through. Dialogue dumps information. As you know, Bob’ is a phrase used for dialogue where characters tell each other things both already know solely for the reader’s benefit. Find ways to make the retelling new/fresh, find what Bob doesn’t yet know and needs to be told. Recommended reading Keep reading about ways to make dialogue characterful and engaging Dialogue words Other words for said’ and what to avoid How to write accents and dialects 6 tips Realistic dialogue Creating characters’ speech patterns To the top ↑ Pay $0 for writing insights and how to’s Be first to know whenever we publish and get bonus videos and the latest Now Novel news. Dialogue devices for characterful speech There are several dialogue devices that help to advance stories and create a sense of movement, tension and change Dialogue tags and action tags What are dialogue tags and action tags? Dialogue tag The words added after dialogue that attribute who has spoken and often the mood, emotion, or volume of speech. Examples “You might want that tattoo, but I know all your secrets and your twenty-first is coming up and don’t think for a second I’m above making an awkward speech,” mom warned. “Shh!” he hissed in a half-whisper. “This freaking place is haunted.” Action tag Indicates the speaker’s movements or gestures in dialogue. This can be used to attribute speech and make dialogue livelier. Example “You might want that tattoo, but …” Mom leaned over theatrically as though to confide something important. “I know all your secrets and […]’ Movement and gesture Movement and gesture may punctuate dialogue, immersing the reader in a scene further. Example Then go,’ said Mrs Williams, handing him the buckets and the coil of rope. Swim,’ she said maliciously. She knew he was afraid of the sea. He carried his fear coiled and tangled in him like other boys carry twine and string in their crumb-filled pockets. Peter Carey, Oscar and Lucinda 1988, p. 16 Interruption Interruption is a useful device in dialogue for argument, dramatic scenes with high stakes where characters are speaking over one another, and so forth. Example “I could have killed you.”“Or I could have killed you,” Percy shrugged. “If there’d been an ocean in Kansas, maybe.”“I don’t need an ocean—”“Boys,” Annabeth interrupted, “I’m sure you both would’ve been wonderful at killing each other. But right now, you need some rest.” Rick Riordan, The Mark of Athena 2012. Conflict and suspense Conflict and suspense in dialogue keep the reader intrigued. Characters may argue, refuse to speak, tell a fib the reader may know to be untrue, or otherwise stir tension. Example “What’s this for?” Tessie asked suspiciously.“What do you mean, what is it for?”“It’s not my birthday. It’s not our anniversary. So why are you giving me a present?”“Do I have to have a reason to give you a present? Go on, open it.”Tessie crumpled up one corner of her mouth, unconvinced. Jeffrey Eugenides, Middlesex 2002, p. 10. Recommended reading Read more on devices in dialogue, including dialogue tags vs action tags and how to create tension 421 ways to say said? Simplify dialogue instead Dialogue 101 Using dialogue tags vs action tags Writing tense dialogue 5 ways to add arresting tension To the top ↑ I never say She says softly.’ If it’s not already soft, you know, I have to leave a lot of space around it so a reader can hear that it’s Morrison Dialogue examples that work Read examples of dialogue that works from a cross-selection of genres including fantasy, romance, science fiction, thriller, historical, contemporary and more 1. Fantasy dialogue example A Game of Thrones Note how George R. R. Martin weaves in setting to create mood between utterances in this exchange from the prologue to A Game of Thrones “We should start back,” Gared urged as the woods began to grow dark around them. “The wildlings are dead.”“Do the dead frighten you?” Ser Waymar Royce asked with just the hint of a did not rise to the bait. He was an old man, past fifty, and he had seen the lordlings come and go. “Dead is dead,” he said. “We have no business with the dead.” George R. R. Martin, A Game of Thrones 1996. 2. Historical romance dialogue example The Duke and I Julia Quinn begins the first chapter in the first of her popular Regency-set romance novels with a typical Regency setting – a drawing room and drama in letters “Oooooooooohhhhhhhhhh!” Violet Bridgerton crumped the single-page newspaper into a ball and hurled it across the elegant drawing daughter Daphne wisely made no comment and pretended to be engrossed in her embroidery.“Did you read what she said?” Violet demanded. “Did you?” Julia Quinn, The Duke and I 2000. 3. Mystery dialogue example The Murder of Roger Ackroyd Dame Agatha Christie’s The Murder of Roger Ackroyd is often voted one of her best detective novels. In the first chapter already, conversation turns to death and the topic of who knows what about whom and how My sister’s nose, which is long and thin, quivered a little at the tip, as it always does when she is interested or excited over anything.“Well?” she demanded.“A bad business. Nothing to be done. Must have died in her sleep.”“I know, said my sister time I was annoyed.“You can’t know,” I snapped. “I didn’t know myself until I got there and I haven’t mentioned it to a soul yet. If that girl Annie knows, she must be a clairvoyant.” Agatha Christie, The Murder of Roger Ackroyd 1926 4. Science fiction dialogue example Hyperion Dan Simmons’ Hyperion which won a Hugo Award was hailed as The book that reinvented Space Opera’. Note the weaving in of dialogue between human and machine in the prologue We need your help,’ said Meina Gladstone. It is essential that the secrets of the Time Tombs and Shrike be uncovered. This pilgrimage may be our last chance. If the Ousters conquer Hyperion, their agent must be eliminated and the Time Tombs sealed at all cost. The fate of the Hegemony may depend upon it.’ The transmission ended except for the pulse of rendezvous coordinates. Response?’ asked the ship’s computer. Dan Simmons, Hyperion 1989. 5. Psychological thriller dialogue example Sharp Objects Notice how in Gillian Flynn’s debut Sharp Objects how even a simple conversation between reporter Camille Preaker and her editor at the St. Louis Chronicle who sends her back to her hometown on assignment is laced with a sense of tension and avoidance “Tell me about Wind Gap.” Curry held the tip of a ballpoint pen at his grizzled chin. I could picture the tiny prick of blue it would leave among the stubble.“It’s at the very bottom of Missouri, in the boot heel. Spitting distance from Tennessee and Arkansas,” I said, hustling for my facts. Curry loved to drill reporters on any topics he deemed pertinent – the number of murders in Chicago last year, the demographics for Cook County, or, for some reason, the story of my hometown, a topic I preferred to avoid. Gillian Flynn, Sharp Objects 2006. 6. Humor dialogue example Lessons in Chemistry See here how Bonnie Garmus weaves together humorous dialogue and character description to create the portrait of a man who does not have much luck in love “I can’t believe you’re having trouble,” his Cambridge teammates would tell him. “Girls love rowers.” Which wasn’t true. “And even though you’re an American, you’re not bad looking.” Which was also not true. Part of the problem was Calvin’s posture. He was six feet four inches tall, lanky and long, but he slouched to the right – probably a by-product of always rowing stroke side. Bonnie Garmus, Lessons in Chemistry 2022. 7. Historical/fantasy dialogue example The Invisible Life of Addie LaRue Schwab creates a sense of early, 17th Century times in this conversation about prayer and witches’ fates in her historical fantasy novel that involves immortality and contemporary romance “How do you talk to them?” she asks. “The old gods. Do you call them by name?”Estele straightens, joints cracking like dry sticks. If she’s surprised by the question, it doesn’t show. “They have no names.”“Is there a spell?”Estele gives her a pointed look. “Spells are for witches, and witches are too often burned.” Schwab, The Invisible Life of Addie LaRue 2020. 8. Literary fiction dialogue example Home Toni Morrison is a master of capturing the authentic ring of a real human voice. See the difference between the Reverend and his wife who dismisses his jaundiced view of the world as foolishness’ in this dialogue example “You from down the street? At that hospital?”Frank nodded while stamping his feet and trying to rub life back into his Locke grunted. “Have a seat,” he said, then, shaking his head, added, “You lucky, Mr. Money. They sell a lot of bodies out of there.”“Bodies?” Frank sank down on the sofa, only vaguely caring or wondering what the man was talking about.“Uh-huh. To the medical school.”“They sell dead bodies? What for?”“Well, you know, doctors need to work on the dead poor so they can help the live rich.”“John, stop.” Jean Locke came down the stairs, tightening the belt of her robe. “That’s just foolishness.” Toni Morrison, Home 2012. What is a favorite section of dialogue from a book in your favorite genre? Share in the comments below. Join The Process for weekly feedback on dialogue and other writing, webinars on dialogue writing and other writing craft topic, and structured writing tools to brainstorm and develop your story. “ Now Novel has been invaluable in helping me learn about the craft of novel writing. The feedback has been encouraging, insightful and useful. I’m sure I wouldn’t have got as far as I have without the support of Jordan and the writers in the groups. Highly recommend to anyone seeking help, support or encouragement with their first or next novel. – Oliver ” Read more reviews on Recommended Reading Read further examples of effective dialogue Dialogue writing examples from top books vs AI 2023 Writing conversations using setting examples 5 types of dialogue your novel needs To the top ↑

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Conditional questions can contribute to this since you can discuss a great variety of situations using them. You can make questions and get answers like these What would you do If you had $500? I would buy comic books What country would you visit if you had enough money? I would probably visit Italy Will you buy another car if you get a job? I will certainly do What will you do if you get sick before the game? I will ask Mike to play instead of me. Now that we know a little bit about, let’s explore how to use them in he classroom. Table of ContentsConversation Questions How to Use Them5 Types of Conditional QuestionsConditional Questions with the First Conditional Conditional Questions with the Second Conditional Conditional Questions with the Third Conditional Mixed Conditional Questions Interested in Learning some more?Conversation Questions How to Use Them Conversation Questions are a good way to promote speaking in the classroom. You can easily promote speaking in the classroom by printing these questions and giving strips of paper to students so they can take turns to speak and let the interaction move from there with follow up questions. You can also tell students to make pairs and talk for a minute about one of the questions. You can choose images and ask students to create a question based on them. My suggestion is don’t focus on all of them at the same time because it can confuse your learners. Now let’s learn how many types of conditional questions there are. 5 Types of Conditional Questions A conditional sentence is a type of sentence that states a condition and the outcome of that condition occurring. Conditional sentences are made up of a dependent clause and an independent clause joined to express said condition. There are five ways to make conditional sentences in English Zero Conditional First Conditional Second Conditional Third Conditional Mixed Conditional Let’s take a look at some of these questions Conditional Questions with the First Conditional The First Conditional is a structure used for talking about possibilities in the present or in the future This is the structure that you need to follow to make such sentences. IfSimple PresentFuture with WillIfI get a carI will stop taking the busIfI get that jobI will stop playing soccer These are some example of questions made with the First Conditional What will you when you get retired? What will you do if you win the lottery? What will you do if you break up with your friend? What will you do if you get divorced? If you want to relax after class, what will you watch? If you have some free time on Saturday, will you study more? What medicine will you take if you catch a cold next week? What will you do if you pass the TOIEC Exam? What will you do if you get your dream job? What will you do if your mother buys you a car Remember that you can answer these questions freely and not necessarily using information from the questions themselves. For example What will you do if you pass the TOIEC Exam? I will apply for a teaching positions in a small school What will you do if you get divorced? I will probably go out more often Conditional Questions with the Second Conditional These conditional questions are based on the second conditional. The second conditional is a structure used for talking about unreal situations in the present or in the future This is the structure to make those sentences. IfSimple PastWould + InfinitiveIfI had moneyI would buy a carIf I had a girlfriendI would take her out every Friday Now we know the structure, let take a look at the different types of the sentences we can make with the second conditional. If you ask me, these are the most interest questions we can make since you need to think a lot to discuss hypothetical situations. These are some example of questions made with the second conditional What would you do if somebody stole your car? What would you do if you saw a man trying to steal your car? Where would you live if you could live anywhere? If you were powerful enough to change the world,what would you change? If you were given three wishes, what would you wish? Where would you go if you could go anywhere in the world? If you could change your past, what would you change? If your house was on fire, what personal belonging would you miss the most? If you could be anyone in the world, who would you be? These are what would you do questions What would you do if you won a million dollars? If you won the lottery, what would you buy? If you changed your name, what name would you choose? What would you do if you could be invisible for a day? What would you do if you saw a ghost? What would you do if you saw a person shoplifting? What would you do if a robber broke in at night? What would you do if you had to catch a bus but you don’t have any money? What would you do if you saw a man hitting a woman? What would you do if you saw three men attacking another man? These are second conditional questions that start with the sentence if you had If you had enough money to giveaway, who would you help? If you had $1000 dollars to spend within an hour, how would you spend them? If you had only 24 hours to live, what would you do? If you had excellent fighting skills, What would you do with them? If you had the chance to interview a celebrity, what questions would you make? If you had to run away from the police, where would you hide? If you had to watch a TV show for 24 hours, what would that show be? These are second conditional questions that start with the sentence if you could If you could be an animal, what animal would you be? If you could change one thing in the world, what would it be? If you could travel anywhere in the worlds, where would you go? If you could commit any crime and get away with it, what would you do? If you could be famous, what would you like to be famous for? If you could be a Marvel Comics super hero, who would you like to be? If you could be a DC Comics super hero, who would you like to be? If you could be an athlete, what sport would you like to be good at? If you could pick to do any other job for a living, what would that job be? If you could travel back in time, what year would you go to? These are some examples about how I would respond these questions If you could be a DC Comics super hero, who would you like to be? I would like to be Superman If you could be a Marvel Comics super hero, who would you like to be? I would be Deadpool since he is kinda funny Conditional Questions with the Third Conditional We use the third conditional to reconstruct imaginary situations in the past. For example, what would have happened, if the Titanic hadn’t sunk?’ This is the structure to make third conditional sentences IfPast PerfectWould Have + Past ParticipleIf I could have chosenI would have taken another positionIf I have had enough moneyI would have bought a car Now that we know the structure, let’s take a look at some examples of these questions. What university would you have chosen if you could have done absolutely anything? Would you have attended university if you have had the money? Would you have bought a brand new car if you have had enough money to do so? What would have been different about your life if you had grown up in another country? What would you have studied if you hadn’t studied Math? These are some of the answers to those questions What would you have studied if you hadn’t studied Math? I would have studied Business Administration Would you have attended university if you have had the money? I would have attended an expensive university Mixed Conditional Questions Mixed conditional questions follow different patterns, let’s take a look at some of these questions Mixed Conditional Past and Present would you still be rich if you had won the lottery? Would you have more opportunities if you had learned English? Mixed Conditional Past and Future Would she be joining us if you had signed for the trip? Would you be running with us if you had entered the race? These type of conditional questions are not the best for conversations, I think second conditional questions can spark conversation without many difficulties. Interested in Learning some more? Promote interaction in classes using conversation questions 60 Travel Conversation Questions 100 Getting to Know you Questions 70 Music Conversation Questions 200 ESL Conversation Questions 70 Questions about Love Looking for some pronunciation resources? Full Guide to English Pronunciation 6 Best Pronunciation Websites 3 ways to Pronounce the Final S Pronunciation List of Minimal Pairs 30 Great English Tongue Twisters 8 Best English Pronunciation Apps

Telephoning is an important function of doing business in English. Phone conversations, particularly business telephone conversations, follow certain patterns Someone answers the telephone and asks if they can assistance. The caller makes a asking—either to exist continued to someone or for information. The caller is connected, given information or told that they are non in the office at the moment. If the person who is requested is not in the office, the caller is asked to exit a message. The caller leaves a message or asks other questions. The telephone telephone call finishes. Of course, all business telephone conversations exercise non follow this rigid scheme. But this is the basic outline for near business telephone conversations, especially those fabricated to request information or ask for clarification. Example Business Telephone Chat Role-Play The following business organisation telephone chat can be used as a role-play in grade to introduce a number of standard phrases to do telephoning in English. Ms. Anderson sales representative Jewels and Things ring ring…band ring…ring band… Mr. Smith Secretary Hello, Diamonds Galore, this is Peter speaking. How may I be of assist to you today? Ms. Anderson Yep, this is Ms. Janice Anderson calling. May I speak to Mr. Franks, please? Mr. Smith I’m afraid Mr. Franks is out of the office at the moment. Would y’all similar me to take a message? Ms. Anderson Uhm…actually, this telephone call is rather urgent. Nosotros spoke yesterday nearly a delivery problem that Mr. Franks mentioned. Did he leave whatsoever information with you? Mr. Smith As a matter of fact, he did. He said that a representative from your company might be calling. He also asked me to ask y’all a few questions… Ms. Anderson Bully, I’d dear to meet this problem resolved equally quickly as possible. Mr. Smith Well, we still oasis’t received the shipment of earrings that was supposed to arrive concluding Tuesday. Ms. Anderson Yeah, I’one thousand terribly sorry about that. In the concurrently, I’ve spoken with our delivery department and they bodacious me that the earrings volition be delivered by tomorrow morn. Mr. Smith Fantabulous, I’1000 sure Mr. Franks will be pleased to hear that. Ms. Anderson Yes, the shipment was delayed from France. We weren’t able to send it along until this morn. Mr. Smith I see. Mr. Franks too wanted to schedule a meeting with yous later this week. Ms. AndersonCertainly, what is he doing on Thursday afternoon? Mr. Smith I’grand afraid he’s coming together with some clients out of town. How about Thursday morning? Ms. Anderson Unfortunately, I’thou seeing someone else on Thursday morning time. Is he doing anything on Friday morning? Mr. Smith No, it looks like he’s free then. Ms. Anderson Bang-up, should I come by at nine? Mr. Smith Well, he usually holds a staff meeting at 9. Information technology merely lasts a half-60 minutes or so. How about 10? Ms. Anderson Yes, x would be dandy. Mr. Smith OK, I’ll schedule that. Ms. Anderson at ten, Friday Morning…Is there annihilation else I can aid you with? Ms. Anderson No, I think that’s everything. Cheers for your assistance…Goodbye. Mr. Smith Goodbye. Brusk Summary of the Telephone Conversation Review your cognition past filling in the gaps with the words and phrases beneath to complete the summary of the chat. Ms. Anderson telephones Diamonds Galore to _____ with Mr. Franks. Mr. Franks is not in the office, but Henry Smith, the secretary, speaks to Ms. Anderson most a _____ problem with some earrings. The earrings have not yet _____ at Diamonds Galore. Ms. Anderson tells Peter that there was a problem with the _____ from France, just that the earrings should arrive tomorrow forenoon. Adjacent, they _____ a meeting betwixt Ms. Anderson and Mr. Franks. Mr. Franks is not able to _____ with Ms. Anderson on Th considering he is _____. They finally decide on Fri morning at 10 o’clock after a _____ that Mr. Owen normally holds on Friday mornings. Answers speak, delivery/shipment, arrived, shipment/delivery, schedule, meet, busy, staff meeting Key Phrases and Vocabulary How may I exist of help This is a formal phrase used to show politeness. It means “Can I help y’all?” calling telephoning out of the part not in the office take a message to write down a message from the caller urgent very important delivery the bringing of appurtenances to a client mentioned said resolved taken intendance of as quickly equally possible in the fastest manner, ASAP shipment delivery, the bringing of goods to a client assured a certainty that something is true or volition happen pleased happy delayed not be able to do something on time looks like seems staff meeting a coming together of employees lasts to take fourth dimension schedule brand a future engagement Practice Cues for Role-Plays Use these cues, roles, and scenarios to create exercise function-plays on your own to farther your telephoning skills to help with workplace advice. Role-Play Cue 1 John You’d like to speak to Kevin at FunStuff Brothers, a toy-making visitor. Yous’re returning his sales telephone call because you’re interested in the company’s products. Kate You’re the receptionist at FunStuff Brothers, effort to transfer the call to Kevin, but take a message when you detect out Kevin tin can’t accept the call. Role-Play Cue 2 Estelle Yous’re calling to schedule a meeting with the head of the personnel section. You’d similar to run into on Tuesday morning merely can come in on Thursday and Friday as well. Bob You’re able to schedule a meeting at the end of next calendar week, but y’all will be out of the role until Thursday morn.

Somecommon conversation for dialogue writing are: Greeting conversation starters are: Seeing off people. At school. Regarding Good. Miscellaneous. Dialogue writing Examples for class 6, 7, 8, 9, 10, 11, 12. Dialogue writing between teacher and student. Dialogue writing between father and Son.

^{ns Create a short dialogue from the given situations below (Choose only 1 situation). Use direct and indirect speech in formulating your dialogue. - 21633075} Saythe dialogue out loud Cut small talk when writing dialogue Keep your dialogue brief and impactful Give each character a unique voice Add world-appropriate slang Be consistent with the characters' voices Remember who they're speaking to Avoid long dialogue paragraphs Cut out greetings Show who your character is Mistakes to avoid

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A CBT is a system of psychotherapy based on a theoretical framework which maintains how an individual structures one experiences. B. Maladaptive thoughts relating to the cognitive triad are rooted in irrational or illogical assumptions. C. By changing one's thoughts, emotions, and behaviors can be changed.

Readthe dialogue featuring a computer technician who is being interviewed about his job responsibilities. Practice the dialogue with a friend so you can feel more confident the next time you speak about your job. There's a comprehension and vocabulary review quiz following the dialogue. Talking About Your Job. Jack: Hi Peter. Can you tell me a ^{FALSE In a fluctuating economy, salespeople make invaluable contributions by assisting in recovery cycles and by helping to sustain periods of relative prosperity. T/F. TRUE. Consumers who are likely to be late adopters of an innovation often rely on the salesperson as a primary source of information. T/F. Tohelp you out, here are 9 steps for writing great dialogue: Skip the greetings and small talk. Keep to three dialogue beats. Use action beats. Don't be afraid to use 'said'. Add variety to your dialogue scenes. Avoid excessive exposition. Use catchphrases or quirks in moderation.} .